Tamasha :: Movie Review

                                          

Tamasha helmed by Imtiaz Ali is a very brilliant picturization of  a mirage-framed farce we play with our lives in our lives till someone comes as an Avatar and makes us feel special about those things which even we feel to identify in ourselves, "The Actual Me". And, in this journey of Tamsha, Imtiaz has been ably supported by his lead starcast i.e. Deepika & Ranbir who have enacted their respective characters to the tee. Tamasha, surprisingly is happening right inside us. We are the thread-holding directors of every emotion we enforce in the name of social race and mannerism. Life becomes fake when we follow traditions without questioning and then discarding them away in the absence of our own logical reach. Modernism suffers miserably when the old is not left as a gold, it directly splits our personality. Tamasha talks about how one leads a mechanized, pretentious life just for the sake of others making his/her inner desires take a back seat. 

Tamasha has been written by Imtiaz Ali, and trust Imtiaz for coming up with something different when he pens down. Imtiaz Ali doesn't adulterate his script with quintessential melodrama and sticks to his chosen line. Tamasha tells the story of Ved (Ranbir Kapoor) who loves to hear stories and has flair towards theater but his father (Javed Sheikh) coaxes him to become an engineer. So, Ved, instead of becoming a theater personality becomes a product manager. During a vacation in Corsica, France, Dev catches up with Tara (Deepika Padukone) who has lost her bag there. They begin flirting with each other by reciting dialogues from old Bollywood movies. They make a pact, not to disclose their real identities to each other. Ved comes across as a guy with cool demeanor to Tara and she begins to like him. After leaving Corsica, Tara realizes that she has fallen in love with Ved. Years later, both of them meet again in Delhi. While Ved proposes to Tara, she dumps him because she is not able to locate the free-spirited guy who met her in Corsica in Ved. Instead, she finds Ved to be a sophisticated, mechanized guy who is not the real him. What happens thereafter, is for you to go and watch at a theater near you. 

Tamasha is taken several notches higher by the spellbinding performances of its lead starcast i.e. Ranbir Kapoor & Deepika Padukone. Ved is not an easy character to portray as he is naively leading a life which he is not happy with but to his credit, Ranbir Kappor has enacted the character to pitch perfection. There are very few, most selective, rare breed of Superstars who are also Super-Actors in complete sense. Ranbir Kapoor is one among such an outstanding in Indian Film Galaxy. He has always proved to be a wisest choice for a director to cast him in desired mold of any given story. 

In most direct sense, Ved could never get scripted unless Ganesha like unquestionable and never-tiring God of Love attends his incarnation. The Ganesh of Love here is been en-skinned by Deepika Padukone. Deepika is one Astral Performer who takes every projection of given role as a Caterpillar and transform herself as one of most Beautiful Birth of Butterfly. The sillage of her presence remains with us as a mature love, wise inner-peek, re-defined relationship and album of newly identified feelings.

Amongst ensemble starcast, noticeable performances have been delivered by Javed Sheikh as Ranbir's father and Ishteyak Khan as Auto driver. 

The soundtrack of the movie has been composed by the maestro, A R Rahman whose melodious numbers have been intelligently woven into the screenplay. The cinematographer of the movie is Ravi Varman who has made Tamasha, a visual treat. His well captured vistas have captured the scenic locales of Corsica, Shimla with aplomb. Ravi Varman's well captured frames are a treat for eyeballs. The movie has been edited by Aarti Bajaj who has kept the run-time of the movie to 151 minutes. They say, a well traveled man is most leveled man. Imtiaz Ali gifts us not only with amazing bank of locations but a story well connected and message well delivered through his films. It becomes a new time to travel while watching his presentation and New Year's Gift while we leave the theater.

ROHIT SHARMA. 

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Prem Ratan Dhan Payo :: Movie Review

Prem Ratan Dhan Payo helmed by Sooraj Barjatya carries forward the legacy of Rajshri films "unambiguous & unwavering" commitment of making clean family entertainers imbibed with values, traditions and love for one's family. It would be pertinent to mention here that I've watched 2 back to back movies which deal with the issue of dysfunctional family. The last Hindi movie that I saw and reviewed was Kanu Behl's Titli whose premise also revolved around a dysfunctional family albeit in a ruthless and realistic manner and the plot of PRDP also is centered around a dysfunctional family. Ironically, watching both of these movies is not everyone's cup of tea albeit for different reasons. While Titli couldn't find resonance with family crowds because of its raw & ruthless treatment, PRDP might find it difficult to strike a chord with today's young generation because of its sugar coated treatment and melodrama. But, one major factor that could tilt the crowds in favor of PRDP is its lead actor Salman Khan. It is the star power and charisma of Salman Khan that makes PRDP sail through smoothly despite its predictable and age-old plot-line. Rajshri films is a banner whose name is synonymous with making family sagas. And, Sooraj Barjatya's directorial debut 'Maine Pyar Kiya' featuring Salman Khan as the main lead Prem struck gold at the box office. Sooraj's subsequent films with Salman Khan made him retain his name as Prem and presented him as a well behaved, Agyakaari child. PRDP brings back the formidable duo of Salman & Sooraj back together after a gap of 15 years. In PRDP, though, Salman Khan retains his name as well as good traits but also displays his own trademark style of dancing, comedy which might work hugely in favor of the film. So, in a way Sooraj Barjatya despite of sticking to the cliched storyline has evolved with time as far as characterization of Salman Khan is concerned and has given him the cinematic liberty to perform his jovial antics on-screen. PRDP is undoubtedly the most extravagant film that Sooraj has ever made with larger than life sets, lavish costumes and extravagant art direction, making PRDP visually appealing & huge in its grandeur. Sooraj Barjatya's films have always been about family ties and how families sail through turbulent times together. For the audience who like to watch films laden with values & traditions, PRDP is the perfect movie to watch. It's not that PRDP is a perfect film as it has its share of flaws too. Over-dramatic sequences, too many songs, run-time of 174 minutes are some of the glitches in the movie. But, Salman Khan coupled with belief in family ties imbibed in the storyline overrides these glitches and make PRDP, a clean family entertainer. PRDP comes like a whiff of fresh air amongst today's films that are laden with violence, item numbers or crude(obscene jokes).       

STORY & SCREENPLAY                                           ::            The story as well as screenplay of the movie has been penned down by Sooraj Barjatya where as the dialogues of the movie have been written by Aash Karan Atal. Though, Sooraj has been successful at delivering clean content as far as writing is concerned but PRDP lacks in etching out characters. All of Sooraj's earlier flicks had a collage of family characters be it in form of Babuji, Bua, Mausaji and others which is missing in PRDP. This time he has centered the entire plot around Prem, maybe realizing the present day box office pull of Salman Khan.  Also, the pre climax scenes of the movie are a big let down as the characters of antagonists have not been etched out properly.  The film begins in Ayodhya where we are introduced with Prem Dilwala (Salman Khan) who is a happy-go-lucky guy and performs for Ram Leela shows. He has a bosom pal Kanhaiya (Deepak Dobriyal) who enacts the role of Sita in Ram Leela. Prem is infatuated with Princess Maithili (Sonam Kapoor) who runs a NGO by the name of Uphaar Foundation. Prem donates his earnings to her NGO and desires to meet her. When he comes to know that she is coming to Pritampur, a close by town, for the coronation of her fiancee Prince Vijay Singh (Salman Khan), he decides to travel to Pritampur to meet her. Meanwhile, in Pritampur, Prince Vijay Singh is going through strenuous times as not only his step sisters Chandrika (Swara Bhaskar) and Radhika are having strained relations with him but his younger brother Ajay Singh (Neil Nitin Mukesh) harbors grudges over him. Vijay Singh has two trusted lieutenants in the form of Diwan Sahab (Anupam Kher) and Security chief (DeepRaj Rana). Before coronation ceremony, Ajay Singh along with CEO of their estate (Armaan Kohli) plots an attack to kill Vijay Singh. Timely intervention by Diwan Sahab saves Vijay's life but he is taken to an isolated place for treatment so as to save him from any further attacks. Deepraj Rana meets Prem at a local market and he is made to act as Vijay Singh to bluff his opponents who are after Vijay's life. Prem not only falls in for Princess Maithili but also tries his level best to clear all the misunderstandings between the royal family. Will Prem be able to re-unite the royal family, Will Maithili get married to Vijay Singh or Prem is what forms the rest of the story.

STARCAST                                                                   ::         It's double the delight for Salman Khan fans as they get to see him portray double role in the movie. Salman Khan is truly the heart & soul of this film as you can't imagine any other actor portraying the character of Prem in more effective manner. Though, both the characters that he portrays in the film are quite diverse in term of characteristics but to Salman's credit, he has carried off both the parts with equal ease. It is his portrayal of Prem Dilwala that is bound to win him lots of laurels. As Prem who is funny and emotional, Salman has simply nailed it. Salman Khan has carried off this movie on his shoulders right from the first to last frame. Sonam Kapoor not only looks ravishing as Princess Maithili but has also enacted her part with supreme confidence. She has delivered an earnest performance and carries her part effortlessly. Anupam Kher once again proves his acting prowess with his effective portrayal as Diwan Sahab in PRDP. His character's concerns as well as worries for the Prince were so genuinely reflected on-screen by Anupam Kher. Anupam's frequent banters with Prem lend several plausible moments to the film. Deepak Dobriyal continues with his streak of winning hearts after TWMR. Deepak once again manages to tickle your funny bones with his impeccable comic timing. Deepak's camaraderie with Salman has turned out to be really good in the movie. Neil Nitin Mukesh literally looks like a royal Prince in the movie. He has given his best to portray the character and it's a treat watching him as the Prince in the movie. Swara Bhaskar has portrayed the character of Vijay's estranged sister with utmost conviction. Swara is one actress who always manages to leave a lasting impression with her performance. Armaan Kohli who has appeared on-screen after a long hiatus has stood his ground firmly in PRDP. As the principle antagonist of the movie, Armaan breathes fire unto his character.  Amongst the ensemble starcast, noticeable performances have been delivered by Deepraj Rana, Monoj Joshi and Sanjay Mishra.
 

TECHNICAL FINESSE                                              ::               The musical soundtrack that has been composed by Himesh Reshammiya is in stark contrast to Himesh's previous soundtracks. Its a typical Sooraj Barjatya kind of soundtrack which will make you reminiscent of 90's, is melodious and has couple of chart-buster tracks in it. Plenty of credit for the tonal correctness of the movie must to go its cinematographer i.e. Manikandan who has done a swell job at capturing visuals. His well captured vistas are soaked in grandeur. Manikandan has ably captured the varied, pulsating emotions of the characters and documented them in well captured frames without distracting from the story or its telling. A special mention of Nitin Chandrakant Desai (Production Designer) and Alvira Khan, Ashley Rebello (Costume Designers) for their effective contribution in their respective fields. The movie has been edited by Sanjay Sankla who has kept the run-time of the movie at 174 minutes. Editing is one department where the movie suffers as the run-time of the movie could have been trimmed. If some melodramatic scenes would have been trimmed and couple of songs done away with, PRDP would have been more engaging. As a director, Sooraj Barjatya scores full brownie points when it comes to delivering a grand film. Right from the lavish sets to the production design, everything is bang-on when it comes to portraying Royalty.  The biggest strength of the film is its simplicity while displaying the conflicts as well as bonding in the family. Kudos to Sooraj for believing and making such a film in 2015. Had he trimmed down some portions of the movie and reduced the run-time, this family drama would have made more impact.

CONCLUSION                                                               ::             Prem Ratan Dhan Payo is a family drama by Rajshri Films for family audiences who like to watch clean movies replete with emotional content. Others, Watch it for Salman Khan.  

ROHIT SHARMA. 

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Titli :: Movie Review

Titli by Kanu Behl narrates a sordid tale about a dysfunctional family of small time criminals and movie's triumph lies in its meticulous detailing, raw & riveting feel plus well etched out characters that are soaked in reality and have been enacted in the same fashion. Mind you, Titli is not an easy film to watch or digest because the crude violence showcased in the movie stays with you for a long time after you have moved out of theater after watching the movie. None of the characters in the movie are what they seem like, with every character having his own web of lies. And, this is the most striking feature of the movie. 

            The movie exposes us to the underbelly of the Delhi and some nefarious characters who co-exist with you and me, probably in whichever town we reside in. The story & screenplay penned down by Sharat Kataria along with Kanu Behl sucks you in right from the first frame of the movie. This sordid tale about survival, deceits, tolerance and cruelty repels as well as compels you. The beauty of the script is that it doesn't offer everything to you on a platter, it requires you to invest your brains and read between the lines ; Like Bawla's sexual preference (gay leaning) or Titli's change of mind in the climax. 

             Titli (Shashank Arora) is the youngest member of his family which consists of his two brothers namely Vikram (Ranvir Shorey), Bawla (Amit Sial) and father (Lalit Behl). Titli's family is beyond dysfunctional and is a weird and warped family where patriarchism rules. Vikram has taken over as the patriarch of the family shoving his ageing father into background who is confined to dunking his biscuits unto his cup of tea whenever a fight erupts in the family. Titli's mother died when he was four years old and you can read in between the lines that she was at receiving end of her husband's abuse. It's an unspoken family legacy of sorts, much like clearing of throats and lungs, gargling making loud sounds while brushing in the morning. Titli's elder brothers are carjackers who hijack cars on the highway and use Titli to assist them. Titli's brothers are ruthless while conducting their business (carjacking) and use hammer to strike their victims. Titli is fed up from all this and wants to break free. He has a dream to buy a parking place in an upcoming mall for which he needs 3 Lacs. Meanwhile, his brothers think that they need a female accomplice, so they plan to get Titli married. They don't have a female member in the house as Vikram's wife Sangeeta (Sarita Sharma) has left the household and started living separately. So, they marry Titli to Neelu (Shivani Raghuvanshi) to add a female member to their gang. But, Neelu is already in love with a married man Prince (Prashant Singh) who is a builder and when Titli comes to know about it, the manipulative side of him seizes a opportunity in it. He allows her to meet her lover but in exchange charges a fees for it .Whether Titli is able to break free and realize his dream forms the rest of the story. 

                Apart from its novel story, it is the characters and some well captured scenes and situations that remain etched in your memory for a long time. After marriage, when an unaware Neelu becomes a part of carjacking by three brothers, she is so shocked to see Vikram and Bawla's blood soaked faces and clothes after they hit the victim ruthlessly with hammer, that she pisses in her jeans sitting in the car. Than, there is a scene where Titli breaks the hand of Neelu so that his brothers are not able to take her signatures to encash her fixed deposit. Neelu willingly allows him do so as Titli is helping in her secret meetings with her married boyfriend. Titli injects her with local anesthesia so that her hand goes numb before being broken. This scene in a way sums up the movie as you are actually made up to feel the pain, the characters feel. And, it's the sort of pain that is used to numb things out. 

         Also, Kanu Behl has lent an unapologetic tone to the film's female characters which is praiseworthy. Despite being victims, they are not wallowing in victimhood. Neelu who has been forced to marry Titli never allows him to have sex with her. She loves an already married man and announces to Titli (her husband) in an unapologetic tone, "Prince Love hain mere". She makes a business deal to get cosy with her lover right under her Husband's nose. On the other hand there is estranged wife of Vikram, Sangeeta who has started living with another man. She has collected ample proofs of atrocities inflicted upon her by Vikram and files a divorce case asking for alimony. When Titli visits her with his newly wedded wife to ask for a favor, all he gets is choicest of abuses for his family and his father. Sangeeta hits out at his patriarchal family saying how his father manipulated her family by saying all lies to get her married into his household.          

                         What lends a further impetus to the narrative is the realistic portrayal of characters by its well cast actors. Shashank Arora makes a impressive debut in and as Titli. As a crestfallen member of his family with a gloomy face and carrying cold, dry eyes, Shashank makes you feel for his character. Shashank has perfectly billed the character who is fed up from his dysfunctional family and wants to break free. Ranvir Shorey personifies patriarchy at its most complex with his brilliant act. On one side, you see his brutal side with him hitting his victims with hammer getting his clothes and face smeared with blood and on the other side you see his vulnerable side when he breaks down while signing his divorce papers. He displays his angst by using cuss words and cursing his family members for using him. This is unarguably Ranvir Shorey at his best delivering an outstanding performance. Amit Sial stands out as the middle brother who often acts as the mediator between family fights. Amit packs quite a punch as the demure guy with gay leanings. Though, he doesn't speak much but when he speaks, words such as 'Laundiya' & 'Dhandha' form a part of his vocabulary, showing his chilling and scary side. Amit has truly proved his mettle as an actor with his impeccable act in Titli.  Shivani Raghuvanshi manages to impress you with her honest portrayal of Neelu. She has looked damn confident in the movie. Be it as confident girl who argues with the sales person at a car showroom, or as a newly wedded wife who thwarts all attempts of her husband to make love to her, Shivani has stood her ground firmly. Lalit Behl has portrayed the character of ageing father who has surrendered his patriarchy to his eldest son and is now content with watching Television by continuously shuffling channels. He has essayed his character of being manipulative with utmost conviction. It's a treat watching his dance steps at Titli's wedding.  

               Dark, disturbing yet riveting, Titli truly represents the evolving face of Indian Cinema. If you prefer realistic over gloss and substance over style, don't even dare to miss Titli.    

ROHIT SHARMA. 

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Main Aur Charles :: Movie Review

Main Aur Charles is a intelligently conceived crime thriller flick by Prawaal Raman and is as hypnotic as the principle character of the movie that has been enacted with panache by Randeep Hooda. Though, the makers claim that that this is a work of fiction with a disclaimer in the beginning but there is no iota of doubt that the movie is based on the famous Charles Sobhraj who is also known as 'The Bikini Killer' or 'The Serpent'. Since the makers didn't have rights from Charles to make a biopic on him, so they have cleverly concocted a tale on the version of Amod Kant, the cop who worked on Sobhraj's Tihar jailbreak case. Hence, the movie is not a biopic on him but is centered around his escape from Tihar jail and how he is caught again. The story follows a non-linear way of narration which requires you to invest your brains whilst watching this movie. Hollywood has made several cult films based on serial killers but on the contrary Bollywood hasn't been able to explore this genre in justifiable manner. Though, several films have been made on serial killers in Bollywood too but very few were able to hit at the right spot. Main Aur Charles is one of those rare Bollywood movies that explores the genre in most justifiable and able way. The movie is not about Charles Sobhraj but about his hypnotic charisma which he encashed to the optimum by manipulating people around him. The movie ably showcases a certain life period of Sobhraj - the half Vietnamese and half Indian con artist, smuggler who racked up a series of convictions for murder and robbery in the 1970's, and who is currently lodged in a prison in Nepal. Such was his hypnotic charm that right from Princesses, law students, Jail staff and even Criminal Psychologists, fell prey to it and very few remained insusceptible. Prawaal Raman has crafted his character in the movie meticulously with lot of detailing and this is something which works in the favor of the movie hugely. And, an uncanny resemblance of Randeep Hooda coupled with his acting prowess has acted as an icing on the cake. 

                                                                                  

                                                                                        The story as well as screenplay of the movie has been penned down by Prawaal Raman who has done a swell job at it. It is no mean task, penning a script that holds your attention while its intention is to throw you off the mark. To the credit of Prawaal....no strand remains untied. Taut and refreshing, the script of Main Aur Charles keeps you on your toes with its tendency to throw surprises at several junctures. Moreover, I feel when a director helms a film written by him, his vision gets crafted on celluloid in the most justifiable way. The film begins with a non-linear pattern of narrative by showing Charles (Randeep Hooda) escaping from Thailand after a dead tourist is spotted at a beach wearing a bikini. After that, the film moves on to Charles's infamous jail break from Delhi in 1986. Charles escapes from the prison with three other convicts. The case is handed over to Amod Kant (Adil Hussain) who begins investigations into the case by visiting the jail and suspending the Jail warden (Vipin Sharma). Amod Kant detains Meera (Richa Chaddha) who is a law student on the suspicion of aiding Charles in his escape from prison. Charles moves to Mumbai from Delhi and a Mumbai cop Sudhakar Zhende (Nandu Madhav) who had arrested him in the past is directed to track him down. Soon, Charles moves to Goa after committing a con in Mumbai and Sudhakar follows his trail. One day, an unknown caller calls Sudhakar informing him about Charles's presence at a party. Sudhakar goes to the party and arrests Charles. Amod Kant flies to Mumbai and after taking custody of Charles, brings him back to Delhi. Won't like to spill the rest of the story as what transpires next is a mix of shocking revelations. 

                                                                                     Succinct to say, all the actors have been cast perfectly as per their characters in the movie and they have portrayed their respective characters with utmost conviction. Leading from the front is......Randeep Hooda. Randeep is a powerhouse of talent who has been underestimated & underutilized by our film Industry. But, Main Aur Charles gave him an opportunity to play a complex character and Oh Boy! he has ably carried the movie on his broad shoulders. Pertinent to say, Randeep is the soul of this movie. Randeep Hooda along with the technical brilliance of the movie hold the key to the film's efficacy. To his credit, we are not able to locate Randeep Hooda in the movie but only Charles. And, this is the best compliment an actor can get for his performance in the movie. His hard work towards portraying this character....be it in form of dialect, body language can easily be gauged from his on-screen performance. Same holds true for Adil Hussain who has essayed the character of Amod Kant with effortless ease. Adil has truly delivered a subtle, mature performance which speaks volumes about his acting finesse. Whether be as the tough cop relentlessly chasing Charles or as the husband who is miffed at his wife over her questioning about Sobhraj's charming exuberance, Adil nails it to perfection. Despite being on hot trail of Charles, Adil displays a cool demeanour which is hallmark of a fine actor. Richa Chaddha has ably portrayed the character of Meera, a law student who is lovelorn about Charles upto the extent of being stupid. She has literally lived her part as you can feel for her when she keeps on saying 'Mera Charles' despite knowing that he is a convicted crook. Tisca Chopra shines as Amod Kant's wife. Tisca is one fine actress who always manages to leave a impression with her effective performance. Nandu Madhav is apt as Sudhakar Zhende. Vipin Sharma is another good actor who has proven his versatility by playing diverse roles. In this movie, he provides some comic relief by playing a jail warden who is in awe of Charles. He addresses Charles as Charles Sir & tells Charles's female friends to feel at home while they are partying in his jail office. Not to forget, Shaanti who plays the part of a  princess and becomes a victim of Con-game played by Charles. Shaanti looks every inch the charming princess that she's supposed to portray on-screen. 

                                                                            The musical soundtrack as well as the background score of the movie that has been composed by Aditya Trivedi not only gels wells with the narrative but also provides a further thrust to on-screen proceedings. The cinematographer of the movie is Anuj Rakesh Dhawan who has done a swell job at capturing visuals. Trippy Goa's party culture, even in the rundown bits, lends a wonderful edge to Anuj's visual commentary. Long shots, wide camera angles and apt usage of color palettes as per the requirement of the shots by Anuj is praiseworthy. A special mention of Salim Asgar Ali, Josie Paris (Costume Designers) and Jeetendra Kawa (Production Designer) for their effective contributions in their respective fields. The movie has been edited by Nipun Gupta who has kept the run-time to 123 minutes. Nipun has done great job at the editing table as he manages to hold your interest despite the non-linear pattern of narrative. As a director, Prawaal Raman, with the skills of a master storyteller, amalgamates a mysterious charming person's story in a thriller format. With his adroit direction, Raman not only springs many surprises but also concentrates on fine detailing. There are no exaggerated dramatic flourishes here, no playing to the galleries. Unlike other biopics or period films which have conveniently and lazily restored to antiques, artifacts and vintage songs, Main Aur Charles simply and effortlessly emerges from the character and his persona. 

Main Aur Charles is a 123 minutes epical noir with its unescapable gritty tone. It's a well made thriller and if you have penchant for slowly cooked up crime thrillers moving at a languid pace, this one is cut out for you.     

 

ROHIT SHARMA. 

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Shareek :: Movie Review

Shareek helmed by Navaniat Singh rakes up the age old but pertinent issue of family feuds owing to land disputes albeit in able, entertaining and thought provoking manner. There's no denying the fact that several sons have lost their fathers and several mothers have lost their sons because of land disputes in hinterland of Punjab. Possession of land to plough has been a bone of contention between extended families leading to rivalries between them. These rivalries get passed on from generation to generation with court cases pending in the court related to land disputes. Several members of these families opt to take law unto their hands and don't shy away from killing members of their extended families for the sake of land. This very scenario has been ably captured by Navaniat Singh and his team on the celluloid. It's not that this subject is new to Punjabi celluloid. In fact, this issue used to be the favorite subject of Punjabi film makers, a couple of decades ago. But, what sets Shareek apart from films of its ilk is its treatment and the way it sticks to its chosen path without any deviations. When you walk-in to the theater to watch a Punjabi movie made on this subject, you expect lot of blood savagery coupled with choicest of abuses, gory violence, heavy duty melodrama. But thankfully, Shareek sails smoothly avoiding cinematic cliches. It's not that these elements are not there in Shareek, they are, but in measured and restrained quantity. The movie definitely makes you ponder with respect to sibling rivalry which has made brothers kill their own brothers for the sake of land. Well written detailed script, powerhouse performances and eloquent direction make Shareek a must watch movie for Punjabi cine lovers. 

                                                                   

                                                                  The story as well screenplay of the movie has been penned down by Dheeraj Rattan who has done a swell job at it. He has ably etched out a collage of characters, each having his/her own distinguished traits and it is through these characters that Shareek offers its most plausible moments. Dheeraj has ably painted the grim side of Punjabiyat where brothers are fighting and killing each other just for the sake of land. He has not only explored the depths of this issue but also has highlighted the need for its eradication. The story revolves around rivalry between members of a clan over a piece of land. While one family comprises of two brothers namely Guggu Gill & Jimmy Sheirgill, the other family is represented by Mukul Dev, Kuljinder Sidhu and their other two brothers. Rivalry becomes more fierce when Mahie Gill enters the scene as Kuljinder Sidhu proposes Mahie for marriage and she accepts. But later, she falls in love with Jimmy Sheirgill and decides to tie nuptial knot with him. So, the rivalry which was restricted to land now involves a woman also. One fine day, while diverting water to their fields Kuljinder & Mukul kill father of opposite clan. In retaliation, Jimmy Sheirgill beats Kuljinder Sidhu to death. To prevent situation from getting worse, Guggu Gill sends Jimmy along with one of his sons to England. After 10 years, Guggu Gill's other son gets married. They also win the case filed in the court pertaining to land. Mukul Dev is not able to digest the happy fortunes of his Shareek's family & gets Guggu's son killed in a road accident. After hearing this tragic news, Jimmy returns back to his village from England. I won't like to spill the rest of the beans as what happens thereafter is for you to go and watch at a theater near you. 

                                                                                  

                                                                                       Major impetus to Shareek has been provided by its talented and well cast actors who have portrayed their respective characters to the hilt. Leading from the front is Jimmy Sheirgill as Jassa who has ably carried the movie on his shoulders. It was not an easy character to portray as Shareek illustrates Jassa's journey from being an exuberant youth to matured wise person. To portray this journey, an actor needed to display gamut of emotions which Jimmy has done with remarkable ease. Jimmy literally enlivens his character on celluloid which speaks volumes about his acting skills. Be it as doting brother, affectionate uncle, jilted lover or a brooding person, Jimmy has hit the right notes every time. Jimmy has enacted the movie's principle character with panache and delivered an exemplary performance. Matching Jimmy step by step is Mukul Dev. With his brilliant performance in Shareek, Mukul Dev has shown us the actor he can be. I've always held Mukul in high esteem as an actor & knew he would nail it if given an well etched out character to portray. And, Shareek gave him that opportunity which Mukul didn't let slip away from his hands. As the Shakuni minded antagonist, Mukul lends a certain aura to his character. He has ably emoted myriad number of emotions in Shareek proving his versatility as an actor. His frequent banters with Jimmy lend several plausible moments to the film. Kuljinder Singh Sidhu who proved his mettle as an actor in 'Yoddha' is back with a bang in Shareek. He has ably essayed the character of 'Pali' who is the most short-tempered member of his clan. With his apt face expressions and body language, Kuljinder breathes fire into his character proving his prowess as an actor. Though, Kuljinder's character is restricted to the first half of movie, yet he manages to leave a lasting impression. Mahie Gill not only looks ravishing but has also portrayed her character in the most effective manner. Guggu Gill has given an apt performance as elder brother of Jimmy. Simar Gill & Oshin Sai have played their respective characters with conviction. 

                                                                                 Another highlight of Shareek is its melodious music composed by Jaidev Kumar. The songs come at the opportune moments during the on screen proceedings, hence never hampering the narrative. 'Dil Kafira' and 'Mere Saiyan' stand out amongst others in the soundtrack. The cinematographer of the movie is Harmeet Singh who has done an excellent job of capturing the visuals with roving eye of his lens. His cinematography is plush,passionate, heightens the kitsch of the settings with warm-hued interiors as well as captures the outdoor locales of London with aplomb. The movie has been edited by Manish More who has kept the run-time of the movie to 141 minutes. Manish has done a descent job by maintaining the tempo of the movie at a constant pace throughout its run-time. As a director, Navaniat Singh has hit the right chords with Shareek. With his deft & adroit direction, Navaniat etches out and develops the characters in such a way that audience are able to relate to them. Navaniat has done a swell job of portraying the screenplay unto on-screen and in the process has also extracted the best out of his cast and crew. 

Shareek stands tall amongst mindless entertainers being churned every other week in Pollywood and is a descent watch for thought provoking message ably infused in the film.    

ROHIT SHARMA. 

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Shaandaar :: Movie Review

Shaandaar which was supposed to be the most grandeur work of director Vikas Bahl has turned out to be his most tepid work till date and is quite Un(Shaandaar) in stark contrast to its title. I felt so restless while watching this movie that i felt i needed some fresh air. Trust me, I have watched worse, really and even survived the ordeal of watching them. I survived Katti Batti, Welcome Back, even Mr. X in 3D. But this one beats all of them to a frigging punch. 20 minutes into the movie and I was like...WTF (Pardon my language). 1 hour into the movie and I could watch several members from audience making their way out of the audi of the multiplex. Thankfully, interval flashes on screen and the reviewer in me cajoles me to remain seated with the hope that things might improve in the second half. Post interval, I am still fiddling with my smartphone checking out & replying to my WhatsApp messages. Simultaneously, I am scratching my head thinking as to how, why and for whom this movie got made.....perhaps, only the makers could answer my queries. Reason being, I went in to watch this movie with huge expectations. And, why not, when you have experienced, established production houses like Dharma Productions & Phantom backing this project, a talented, versatile director Vikas Bahl helming this flick and some really good actors like Shahid Kapoor, Alia Bhatt, Pankaj Kapoor featuring in the movie. But, what you get to see on-screen is a supposedly fairy tale with lot of animation thrown in getting killed by cinematic cliches and all its jokes falling flat. Anyone who has seen Vikas Bahl's Queen would have expected Shaandaar to be a delightful movie, given that he was provided with bigger glossy canvas to play with courtesy Dharma Productions but no one would have even thought that Vikas will make such a mess of it with such a drastic drop in storytelling and directorial skills.

                                                               

                                               The story has been written by Vikas Bahl and Chaitally Parmar and the dialogues have been penned down by Anvita Dutt (all of whom were part of writing Queen). Shaandaar is one of the most mind-numbing stories, sorry, did I say stories ? Damn, that will be misleading. Because there is neither any story nor any screenplay. There are only banal sequences, funny, only to the writer/director. The supposedly fairy-tale has two nocturnal s i.e. two creatures (let me have the liberty to call them creatures) who can't sleep at night in the form of Alia (Alia Bhatt) & Jagjinder Joginder (Shahid Kapoor) who meet and eventually find solace in each other's company. The story features two families i.e. Aroras and Fundwanis who are bankrupt and decide to get their kids married to save their sinking ships , oblivious about the financial condition of each other. But, the kind of designer costumes, stretch limos, expensive jewellery and the lavish destination wedding they organize makes you ponder that if this is the lifestyle that bankrupts live with, let me be a bankrupt soon. To add to your woes, there are several other caricatures apart from the 2 insomniacs in the form of characters. There is a gold loving Sindhi who is always boasting about his connections, his younger brother who has precisely eight and a half pack abs and is the groom There is a maha Khadoos granny for whom marriages are simply business deals and her goatee bearing son who has adopted a girl child who is insomniac. He also has a biological daughter who is a real fatso having no qualms about it and is the bride. There is no coherent storyline in the movie and it looks as if several scenes have been stitched together to make and present this film to the audience. Save me from the ordeal of jotting down the plot of this film for you. 

                                                                      

                                                     The only saving grace of this movie is the performances by its actors. Shahid Kapoor has effortlessly portrayed the character of Jagjinder Joginder who is an insomniac but an able wedding planner & organizer. He not only looks handsome but tries his level best to keep you entertained with his acting mettle and dancing skills. Alia Bhatt has really evolved as an actress and her performance in Shaandaar is a prima facie example of this. She truly lives her part in the movie proving her prowess as an actress. She has enacted her part with utmost sincerity and confidence. There is no denying the fact that Pankaj Kapoor is one of the finest, versatile actors that we have today and he proves it in Shaandaar with his impeccable performance. Though, his character has been shoddily written but he still breathes life unto his character with his own signature style of acting. His frequent banters with Shahid Kapoor (his real life son) lend some plausible moments to the film. The film also marks the debut of third Kapoor i.e. Sanah Kapoor ( Pankaj's daughter & Shahid's sister in real life). Sanah has effectively portrayed the character of a obese bride whose weight makes her the butt of many people's jokes. Sanjay Kapoor has essayed the caricaturish character of a typical Sindhi who is always boasting about his connections with aplomb. 

                                                                                    

                                                As a director, Vikas Bahl has proven his forte in the past by directing two diverse flicks i.e.Chillar Party & Queen. While the first was a children's movie, the second was centered around a female protagonist who wants to break free and explore herself. Both of Vikas Bahl's previous flicks belonged to different genres. So probably, he wanted to break fresh ground with his third outing but has completely failed this time. Weak storyline (or simply lack of storyline) coupled with sloppy editing has let him down badly. On a lighter note, I was wondering how will Vikas Bahl respond post the debacle of Shaandaar. At the very moment, I remembered a dialogue from the movie in which Alia Bhatt says to Pankaj Kapoor, "How Cool ! Main aapki naajayaz aulaad hoon". It immediately brought a smile to my lips and made me think whether Ajay Bahl will say, "Shaandaar, Meri naajayaz film hai". (It has been Ghost directed by someone else). The finesse and the potential of a director that Ajay showcased in his previous two flicks is totally missing from this film. 

                                                                   

                                                                          Shaandaar is a movie that can be skipped without any regrets, instead take your family for an outing this weekend. Trust me that will be a breeze in front of this nonsense that spools out mercilessly for 145 minutes.

  

ROHIT SHARMA. 

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Dildariyaan :: Movie Review

                                      

Dildariyaan helmed by Pankaj Batra is full on family entertainer that takes you on a fun ride that has been embellished with quirk, emotions, drama, good music, soulful romance making it an enthralling watch. Pankaj Batra who has earlier gifted two baguettes to Punjabi Celluloid in the form of 'Naughty Jatts' and 'Goreyaan Nu Daffa Karo' is back with his latest offering 'Dildariyaan'. Comedy has been Pankaj's forte which he has showcased in his previous two flicks but Dildariyaan is a soft romantic movie which is peppered with ample dosage of laughter. What sets apart Dildariyaan from films of its ilk is the way this movie has been crafted. Though, the basic premise of storyline is unrelentless love but the movie breezes past at a swift pace without any unnecessary melodrama or cliches. That is the biggest U.S.P. of this entertainer. Dildariyaan is embellished with a taut screenplay and good performances especially for audience who like entertainers laden with genuine wit, emotions and humor which comes naturally as the screenplay progresses. On surface, this may seem like an uncomplicated story, but scratch the exterior and there's a strong undercurrent of comic elements ready to explode and engulf you. That is probably why Dildariyaan appears to exude much greater energy n exuberance than it intrinsically possesses. This movie, with its apt plot and wickedly spot- on characterizations is the kind of fast paced and witty love story whose several moments will surely make you roll with laughter in your seats. Pankaj Batra and his team have fashioned a fiercely funny love fable filled with loads of innocuous innuendos. Dildariyaan, wickedly moves at its own volition with a crazy pattern of comic chaos that stops being short of being anarchic due to finely tuned situational satire simulated. Exclamations are the only punctuations in this seamless comic love fable played at an impossibly high octave, without getting shrill. 

       
STORY & SCREENPLAY                       ::                                                         The story,screenplay as well as dialogues of the movie have been penned down by Jagdeep Singh who has smartly constructed a collage of characters who further lend several plausible moments to the film. He has cleverly interlaced this love story with ample moments of genuine humor with his effective writing skills. I'll say one of the main strengths of this film has turned out to be its writing as erudition sits easily, spontaneously and unobtrusively on Jagdeep's narration. What makes it watchable is that humor has not been forcibly added in the form of gags but funny situations have been finely simulated which catapults the movie into a finely tuned situational comedy. The most recognizable elements of PUNJABIYAT are in full florid display, hence making it a full on entertainer. The best part is that the script breezes past without any major breakdowns primarily because it doesn't get too adventurous and sticks to its chosen line. And to top it all, it delivers some quirky detours that are made all the more engaging due to consistent quality of acting by most of the actors. The film begins in Punjab where team of Guggu Gill and his daughter, Sagarika Ghatge is flexing their muscles in a local village fight tournament. Cut next, Sagarika is leaving for a town to study and appear in IELTS test. As she boards the bus, running Jassi Gill arrives and sits next to her. Jassi gets be-smitten by Sagarika at her first sighting and falls heads over heels for her. He comes to know that she has come to town to study for IELTS test, so he starts hunting for her at coaching centers. After locating her, he too enrolls for the coaching classes. Soon, friendship engulfs between both as Sagarika finds him to be a good natured guy. Before Jassi is able to disclose his feelings to her, Sagarika tells him that she is already engaged which comes as a shocker to him. A relentless Jassi, follows Sagarika to her home at the village in hope of winning over her and her father. I won't spill the rest of the beans as what follows next is for you to go and watch at a theater near you.   

                                         
STARCAST                                                     ::                                Jassi Gill, singer turned actor has featured in some films before this one. But after watching Dildariyaan, one can succinctly say that Jassi Gill has truly arrived in the acting arena. He has portrayed his character of being cute, witty, funny and strong willed too with a fair sense of conviction. Jassi is simply outstanding in the movie which proves that he's really worked hard on honing up his acting skills. Sagarika Ghatge who makes her debut in Pollywood via this movie doesn't let an iota of doubt cross your mind regarding her being a Non-Punjabi with effective portrayal of her character in the movie. She not only looks drop-dead-gorgeous but also enacts her character with panache. Sagarika has ably enacted her part with right amount of confidence, attitude and ebullience making it a treat to watch her perform on-screen. Binnu Dhillon......just the mere mention of his name is good enough to bring a smile on many faces. He's got a perfect slapstick character to play as it is through his character that most of the sleazy, juvenile humor comes. But, the ease with which he has portrayed and expressed a synthesis of the slimy and the slippery without falling out of his character is commendable. Binnu is definitely one of the best comic talents around. Karamjit Anmol's straight faced, matter of fact style of comedy coupled with his innocent face expressions is bone-tickling to the core. Karamjit is one fine actor who essays varied characters assigned to him with complete conviction. It's a welcome change to see Guggu Gill portraying a mellowed down character of Sagarika's father in the movie. Baninderjit Singh Bunny has also come up with a fine performance. Baninder's hearty banter with his friends coupled with his distinctive style of dialogue delivery is a treat to watch. He is at his comical best in the movie. Not to miss out, Master Anmol Verma who manages to raise aplenty of guffaws in the movie as the younger cousin of Sagarika.  
                                                                   
TECHNICAL FINESSE                                          ::                  The musical soundtrack of the movie that has been composed by Jatinder Shah is a winner all the way with its varied numbers. Two numbers which stand out in the album are 'Hor Na Azmaa' & 'Pagg'. A special mention of Manmeet Bindra (Costume Designer) for his effective contribution in his field. Plenty of credit for the tonal correctness of the movie must go to the cinematographer of the movie i.e. Vineet Malhotra who has captured stunning visuals with the roving eye of his lens. The movie has been edited by Praveen Kathikuloth who has kept the run-time of the movie to 117 minutes. Praveen has done a swell job at the editing table as with his crisp editing, he has been able to maintain a constant tempo throughout the movie without letting the narrative dip at any given duration. As a director, Pankaj Batra has once again hit the bulls eye once again after his last two successful outings i.e. Naughty Jatts & Goreyaan Nu Daffa Karo. As captain of the ship, Pankaj has ensured smooth sailing for Dildariyaan. With Dildariyaan, Pankaj has proved that he knows the pulse of the audience and is a name to reckon with when it comes to helming entertainers. Pankaj's eye for detailing can be attributed as his strongest point as in every scene, the ambiance he sets, the mood he creates, the pitch of it all shows the director's potential with regard to attaining finesse in the matter at hand.

CONCLUSION                                                                 ::            Dildariyaan surely pampers your funny bones and relieves you of all your stress with some brilliant performances & witty dialogues which have been knitted together to entertain you to the core. This fun filled romantic fable is full of entertainment quotient and is a good family watch for Punjabi Cine Lovers. 

ROHIT SHARMA. 

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